Сначала карта героя — потом кино

A three-panel character reference sheet of the same person on a clean neutral grey background (#3a3a3c), flat catalog lighting, identical rendering in all panels. The person's face comes 100% from the attached selfie photos — exact features, no idealization. Panel 1: full-body front view in worn steel plate armor with a charcoal wool cloak — matte, battle-worn, not polished. Panel 2: full-body back view, same armor. Panel 3: large chest-up portrait, face fully visible, colored irises with a visible catchlight in the eyes, slight natural asymmetry. Real metal and fabric texture, no game-render look, no text, no watermarks.

Photorealistic establishing shot from a high vantage point: a stone terrace on a mountain ledge about a thousand meters above a valley — a river winding below, a fortified town, massive glaciated peaks beyond, storm light with god-rays breaking through, layered mist in the valley. No people anywhere in the frame. One clear anchor object on the terrace: a weathered stone bench near the edge. Analog 35mm cinematography look, natural color, atmospheric perspective, no CGI slickness.

@image1 is the hero — appearance 100% from the reference sheet, never redesigned. @image2 is the location — geography and light exactly as in the reference. The hero lies on the stone bench near the edge with an open book resting on their face. One continuous shot: the camera starts high above and slowly descends in a smooth 90-degree arc toward the horizon; wind picks up, the pages flutter, the hero wakes, lifts the book, sits up on the bench and looks out over the valley. One action at a time, real physics of fabric and hair in the wind. Diegetic audio only: wind, fabric, pages, distant valley ambience. No music. 10 seconds, one continuous take, no cuts, photoreal cinematic realism, anamorphic 35mm look.