Use case: identity-preserve
Asset type: photorealistic three-panel character sheet (identity + wardrobe reference for AI video generation)

INPUT IMAGES. Image 1 — the young man himself, frontal, neutral expression, indoor daylight: the PRIMARY identity reference — take his exact face from it: a lean oval face with a defined jawline and a straight chin, straight thick dark-blond brows, grey-blue eyes with slightly hooded lids, a straight narrow nose, fair skin, clean-shaven; his hair is short dark blond, cut close at the sides and back with a soft fade and left longer on top, swept to one side with a natural side part. Image 2 — the same man in strict side profile: use it for the exact line of his nose, jaw, chin and hairline seen from the side. Take from both photos only his features, never any temporary skin marks — the photos may show spots or breakouts, and none of them appear on the sheet. Both photos are one and the same person; ignore their backgrounds, poses, clothing and framing. Early twenties, slim athletic build, 180 cm, long legs, shoulders broad for his frame.

SCENE. Pure white seamless studio background, soft diffused even studio lighting, neutral white-balanced colour grading, natural skin texture, clean sharp image, a soft grey contact shadow under his shoes.

WARDROBE — identical in every panel: a deep wine-magenta outfit, the exact shade of the phone (≈ #9B2E5C, rich wine-raspberry — never neon pink, never scarlet, never violet). A chunky cable-knit turtleneck in wine-magenta wool with a clearly visible cable pattern across the chest, the ribbed collar below the jaw, the cuffs showing past the jacket sleeves. Over it — a cropped suede bomber ending exactly at hip level, the body in matte wine-magenta suede, with shearling trim ONLY at the collar and cuffs in a slightly lighter dusty-rose tone, snap front worn open, fitted through the shoulders and chest rather than oversized. Below — high-waisted wide-leg wool trousers in plain charcoal grey, flat front, straight full leg with a soft break. Rugged leather boots with a deep lug sole in dark brown. A plain watch; no scarf, no bag, no other jewellery.

COMPOSITION — horizontal 16:9 sheet, three vertical panels of equal height side by side with thin white gaps between them.
LEFT PANEL — full-body outfit shot STRICTLY WITHOUT HEAD: the figure is cropped at the neckline, head, face and hair entirely outside the frame, cut off at the neck by the top edge of the panel, body standing straight and facing the camera, feet planted a little wider than usual, one shoulder slightly dropped, hands relaxed, the open bomber showing the cable knit underneath, both feet and shoes fully visible inside the panel.
CENTER PANEL — tight frontal face close-up, head and shoulders, looking straight into the camera, a calm neutral expression with the faintest closed-lip smile, the short side-parted hair clearly readable, the collar of the outfit visible at the bottom.
RIGHT PANEL — tight face close-up in strict 90-degree side profile, exactly one side of the face visible, one eye, the straight nose and the jaw line against the white background, the ear and the faded sides of the haircut visible, lips relaxed.

SKIN AND REALISM: no make-up, natural matte skin; visible fine pores on the nose and cheeks, real skin texture on the jaw and neck, a few individual hairs out of place at the hairline, natural asymmetric catchlights in the eyes; clear even complexion — healthy skin with NO acne, NO pimples, NO blemishes, NO spots, NO scars and no patchy redness; the realism comes from texture — pores, fine hairs, fabric weave — and never from skin flaws; not airbrushed into plastic, not waxy, no beauty filter; his face keeps its youthful proportions, not aged, not widened, not slimmed. Photographed as if on a full-frame mirrorless camera with an 85 mm lens at f/5.6.

NEGATIVE: no acne, no pimples, no blemishes, no skin spots, no red blotches, no uneven skin, no noise, no film grain, no haze, no text, no letters, no labels, no numbers, no logos, no watermark, no frame borders, no other people, no duplicate figures, no props, no phone, no bag, no hat, no cap, no sunglasses, no hood; the left panel is headless, cropped at the neck; exactly one and the same person in every panel, the same face in the centre and right panels; the suede stays matte and dry, the shearling trim shows individual curls and never becomes a full fluffy body, the cable knit keeps real dimensional stitches; the magenta stays a deep wine-raspberry, never pink.